When I started photography, it was strictly black and white. I used on my father’s Rolleiflex a twin reflex camera in which you look down in the top of the camera to see what you are capturing. Each roll contained twelve negatives and after finishing them, you had to take it to a photographer who will process and develop them in the next couple of days. This was certainly not free, and for many of us, using color film was prohibitively expensive.
Just imagine. Now photos have become free and even the device most of us carry in our pockets can take them without any training. Like gluttons we take hundreds if not thousands of them.
For example, give your iPhone to someone to take a picture of you and your wife. Does she take one? No, she will take a dozen, almost identical looking, before handing you back the camera. Well, at least, you don’t have to explain the potential photographer how to use your camera.
The website I post my better (artistic) pictures is called Flickr, where some 25 million images get posted by 50 million photographers. Out of this staggering number of images posted, an algorithm selects 500 for their Explore gallery, based on what they call “interestingness”. The exact algorithm used is secret, but the sheer numbers are unbelievable. You have a chance of one in 50,000 to get “Explored”. In the old days, there was no easy way to get your photos in front of millions of users, leave alone get selected daily for some honor, however tenuously.
David Day, one fine photographer who came to talk to us during our twice-a-month meeting told us that he takes 500 to 1000 photos after he has created a setup. My question to him is: How do you make out which one is a keeper? The same question to all of us: Of the thousands of photographs we all take, how do we know what to keep, and for what?
I am as guilty as the others. I am constantly taking pictures, some with my iPhone, some with my single lens reflex cameras. On my laptop and iPhone, I have thousands of photos. Although I go through some effort to organize them, I have no idea what to do with them. Nobody wants to see a long slideshow of a place we have visited. Makes me remember days in Boston when I used to have well attended slideshows of photos of the places I had visited. Even of the Western USA.
Except for some very old photos, converted from paper photos to electronic ones, there is very little interest in seeing people pictures. As one of my photographer friends said, “After I have posted my pictures on FaceBook, I might as well dispose them off.”
We truly have a photoglut situation and no one has shown a way of how to navigate through it.
